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Obviously reminiscent of 300, whose style is already a little old, but I guess I didn't mind so much.īy the way, why the fuck was Stephen Dorff cast in this? He made his character completely awful!! It hurt my ears to be listening to all the vaguely European accents and then suddenly there's Stephen Dorff, who made no effort whatsoever to seem Greek. When it comes to the visuals, I won't pretend to know what I am talking about but I did think it was pretty. So yes, the story fell short, which then made the characters suffer, etc. Also, who gives a damn about the humans when there are Gods to fuck shit up (but I guess that's coming in the sequel?). Here's an idea, why don't the writers just use source material? These myths were popular for a reason they grabbed at people's attention.
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To say you could never respect a man who does the kind of work he does is not realistic, and it's frankly immature.Īnyone who can consistently produce the kind of mindblowing imagery seen in The Cell, The Fall, and The Immortals is clearly not a hack, and the quality of his one personal film is clearly not a fluke.įor one thing, why can't a movie studio just make a Greek heroes/Gods movie that actually follows the myth? I hated how Immortals mixed up names, myths, etc. If he doesn't, then he'll continue to work as one of the best directors for hire in the world. I don't know if he has another personal story like that to tell. This was the movie he really cared about. In the process of doing his day job of making commercials, he managed to sneak in The Fall. As films like Mirror, Mirror go, his will have qualities that make it surpass the same film directed by, say, Rob Bowman (another director for hire). But as films like The Immortals go, his will be one of the best. Not every single one is going to be personal to him. Making commercials and films is how the man makes his living. Few directors for hire have his visual ability. And as directors for hire go, he's an amazing one. Reminded me of Lynch's Dune (which I actually really like but am not surprised most didn't).Īpparently the director is known for stylish visuals in his movies which makes sense, but this honestly made popcorn fluff like Gods of Egypt and the Clash of the Titans remake look way better than they were, as they were at least coherent (visible!) movies that entertained.With all due respect, that's not how it always works. Knowing nothing about it, it just screamed "very expensive flop, and not a surprising one" to me. Acting was poor from some usually good actors, too. I am fine with movies that go for style over substance (300, Annihilation, etc.) but this was just an unpleasant experience trying to figure out what was happening (continuity was terrible, too), what was being said, and what the narrative was trying to say. Not mumbling? Wear a mask to muffle your lines more! Just saw it and felt it was a great looking movie that was a total mess, but the worst offences was how dark it was and how mumbled the dialog was. Xiuyan told her that there were only two possibilities for such bad luck: one was that she had offended a great figure in the gods, and the other was that she herself was a great figure. Maybe I missed it, but how did the bow get to be encased in rock outside his mother's tomb? After twenty-seven sad premature deaths, Ayin walked across Naihe Bridge to seek justice from the ghost monarch.I like how they suggested that the Minotaur and maze from Greek mythology were really just distorted retellings of what really happened, based on the fact that guy had a bull-shaped helmet and the mausoleum was sort of a maze.They sure used a lot of rebar in ancient Greece - the Titans had it in their mouths, and I noticed some elsewhere as well.I like that Poseidon's idea of helping was to send a tidal wave, lol.IMO many of the scenes would've been much better had they taken place in daylight vs dusk or night. And finally, the movie was sooo dark, which is particularly challenging when many characters are wearing very similar costumes, making it very hard to tell who is who. And as much as I like Stephen Dorff, I don't think he was right for that role. On the negative side, the dialog was sorta weak in a lot of places. And Mickey Rourke did a good job as well. The scene transition where the soldier's head turns into a boat with oars was slick. The choreography, camera work, and effects in the fight scenes were amazing. On the positive side, I agree with most that it was very visually well done. Finally go around to watching this last night.